Today, the live rooms, vocal booths and echo chambers of Sunset Sound have become a part of the fabric of popular music itself. Since then artists from all genres have kept Sunset busy: Van Halen, Toto, Prince, Bob Dylan, Tom Petty, Whitney Houston, the Doobie Brothers, Miles Davis, Elton John, Alanis Morissette, Smashing Pumpkins, Sheryl Crow, Rage Against The Machine, Audioslave, Ryan Adams, Beck and more. The space’s slanted floor and uneven walls gave it ideal acoustics, and soon the studio was busy recording Disney classics like “Mary Poppins”.īy 1962, Sunset Sound was welcoming artists like the Doors, Joe Cocker, the Rolling Stones, Neil Young, the Beach Boys, and Led Zeppelin. Sunset Sound Recordings was opened in 1958 by Tutti Camarata, then director of recording for Disney Studios. Works as a single plug-in or inside T-Racks 5 Pre Delay & Decay Time controls, EQ and mic optionsĭry & Wet signal level controls with solo buttons Variable room dampening and multiple microphone positionsĬonsole preamp and signal path modeling add the exact harmonic content of the studio gear for warm, lush reverberation that goes beyond classic convolution reverbs IK's proprietary Volumetric Response Modeling (VRM™) technology gives you ultra-realistic sound spaces Includes two plates and one spring reverb, all original vintage units
#Sunset studio reverb iso#
Includes each studio’s live room, iso booth and 3 echo chambers It’s the closest thing to tracking your session in this hall-of-fame studio itself.Ĭaptures the acoustics of the iconic Sunset Sound studios T-RackS Sunset Sound Studio Reverb lets you step inside Sunset Sound studios, capturing the sonic mojo of each one of these echo chambers, live rooms, booths, plates and springs, as well as the unique vibe of their custom consoles and classic mic collection. IK Multimedia MODO Bass 2 + MODO Drum 1.5 Bundleįew studios in the world have contributed as much to the sonic imprint of music culture as Los Angeles’ Sunset Sound Studio. IK Multimedia Hammond B3 Leslie Collection IK Multimedia T-Racks Linear Phase Equalizer Why do I think that? Because I've spent decades guinea pigging people without their knowledge, by making such changes and the musicians themselves don't usually notice, much less the random person listening to a piece of music.Similar to IK Multimedia TR5: Sunset Studio Reverb. Assuming we aren't talking slathering in something that is all reverb such as shoegaze et al. Once the rooms/halls whathaveyou get bigger, I think it makes more difference but from a musical perspective, I have a real hard time caring these days because I think it generally adds little to the true end-listener experience for your say basic band recording/mix with things like bass/drums/guitars/keyboards and so on.
I have a really dead room (on purpose) so I tend to add the room back in Reaper. it would be generally difficult for anyone to tell which is which. I can say for something like an ambient setting, like recreating a small room, like a room room, not a reverb room of a less than 100ms etc.
My ears cannot spot the difference between a good impulse and a good algorithm.
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